It bonded their love and their characters in a way that nothing was going to shake it.Although it seems as if No Limit drops a new CD every other week, not many, in my opinion, are worth the money and the wait. I think he was constantly reminded of it.
Part of the reason James wanted to get out of there, he was trying to run from it. I think there’s a lot of PTSD going on with James, Margaret, Shea, Thomas - everybody who experienced that war and then all that went on at Reconstruction. I imagine that trauma plays into their reactions to Elsa’s injury and death, as well? And the war isn’t that far removed from where they are at this point in the story. TVLINE | James and Margaret’s Civil War experience - him as a soldier and her as a nurse - has come up several times this season. Personally, I just think it was magnificent. People were not even moving the cable that they had to move…obviously, Tim and Isabel just brought everything they had to it, and I think because of the relationship that they all formed, it was as real and authentic as you’re ever going to get in anything that you do. … The conversation between James and Elsa when she’s dying, I mean, you’re sitting on set as a father who has read this script, seen all the cuts, knows what’s coming, and you’re getting welled up! I think for everybody on set, as I looked around, crew, grips, gaffers, PAs, it was, like, still. We started this show in 108-degree weather in Texas and ended in Montana in 15-degree weather with below 5 chill factor, and in a tank top for the last three episodes of the show. I loved doing scenes with her.ĭAVID GLASSER | You’re shooting in incredible conditions after being on a journey for a very long time. She put the knife right in my heart, boy. She goes, “What’s your favorite things about your daughters?” Then we shot the scene, and that’s the scene they ended up using.
Mac shell shocked we dont love em pro#
The time before the one they used - and this is what a pro Isabel is - we’re laying there, and right before we’re getting ready to roll, she sort of leans her head back on my chest and looks up at me. Then we finished the scene, and Taylor goes, “Cut! All right, we got that one out of the way, now let’s cut that s–t out.” So, we did it a few more times and they were all pretty emotional. Through the whole scene we were both just sobbing.
The very first time we shot it, the very first take of it, Isabel and I both were just completely falling apart, and we couldn’t help it. I don’t think we shot it four or five times. TVLINE | Tell me about shooting Elsa’s death scene with Isabel May, and don’t be afraid if I start to weep openly while we’re talking. We at least know that they’re together 10 years later, because of the flashbacks in Yellowstone. But their strength and their love for each other, in my mind, will carry them through. It’s the most tragic event you could ever have in your life, so there’s going to be profound effects on both of them, and probably profound effects on their relationship. But it’s certainly going to put a huge strain on their life, as it would anyone in that situation or anyone that’s lost a child. I don’t think that that’s going to go anywhere. TIM MCGRAW | They have a really, really deep strength and love for each other. But the loss of a child is never worth it - talk to me about how that will affect James and Margaret’s marriage moving forward? TVLINE | Margaret had a line a few episodes back about how their final destination better be worth it, because the Duttons already have sacrificed so much.
Mac shell shocked we dont love em series#
So how do the Duttons build a new life in a remote spot after such horrifying loss? In separate interviews, we asked McGraw and executive producer David Glasser to give us the lay of the wild new land as the Paramount+ series heads into its “ next chapter.” Hallelujah! Alan Cumming Is (Finally) Bringing Eli Gold to The Good FightĪndre Braugher Joins The Good Fight as Series Regular in Season 6
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